[Ruby_E_Template slug="buzzstream-header"]
Font ResizerAa
Brinks ReportBrinks Report
Search
  • Featured
  • Money Matters
  • Business
  • IPL
  • Technology
  • Automobile
  • Entertainment
  • Sports
  • More
    • People
    • World
    • Health and Wellness
    • Horoscope
  • Today’s News
Have an existing account? Sign In
Follow US
© 2024-2025 Brinks Report. All content, including text, images, and other media, is copyrighted.
People

AR Rahman Responds After Abhijeet Bhattacharya Criticizes His Use of Technology in Music: ‘Nice to Blame Me…

Ankita Das
Last updated: April 16, 2025 11:41 am
Ankita Das
AR Rahman Responds to Abhijeet Bhattacharya’s Tech Criticism

AR Rahman has reacted after singer Abhijeet Bhattacharya criticized him for using too much technology in his songs. Abhijeet had said that Rahman’s use of technology was harming live music and disrespecting musicians who play traditional instruments. He also claimed that digital music is causing many instrumentalists to lose their jobs.

In his response, Rahman explained that technology in his music is not about replacing live musicians but about improving and enhancing the music-making process. He said that he fully supports musicians and uses technology as a way to explore new creative ideas in music.

“It’s easy to blame me for everything. I still love Abhijeet, and I would even send cakes to him. It’s his opinion, and there’s nothing wrong with having one,” Rahman told India Today in an interview.

Rahman also shared that he recently set up an orchestra with 60 women in Dubai, where they are employed monthly and receive full benefits, including health insurance. He pointed out that in every movie he works on, like Chhaava and Ponniyin Selvan, hundreds of musicians are involved in creating the music, but he doesn’t always post photos to show it.

He added that technology, like computers, is a tool that helps him design unique sounds and harmonies. Sometimes, hiring musicians for a project just to reject their work later is not practical. Rahman mentioned that the producers he works with can confirm how many musicians he’s collaborated with during his career.

Abhijeet had previously shared a negative memory from his only professional collaboration with Rahman for the song “Ae Nazneen Suno Na” from the 1999 movie Dil Hi Dil Mein. Abhijeet expressed his disappointment over how renowned artists were treated during the recording session. He explained that artists who had received high honors like Padma Shri and Padma Bhushan were kept waiting for hours without meeting Rahman.

Read More: Amitabh Bachchan’s Hand-Written Letters: A Heartwarming Bollywood Tradition

Abhijeet described how, during the session, many respected artists were left waiting in Rahman’s studio for long periods. “I saw Padma Bhushan and Padma Shri awardees sitting downstairs on a bench. Rahman sir didn’t come down for two or three hours,” he said.

Abhijeet also recalled his own experience, where he simply recorded his part and left. “I recorded the song and left. His assistant handled the session,” he added.

In his reply, Rahman emphasized that he values musicians and technology is just another tool to create music.

TAGGED:Abhijeet BhattacharyaAR RahmanDigital musicLive musiciansMusic industry debateTechnology in music
Previous Article Harvard controversy Harvard Controversy Offers Trump a Fresh Stage for Populist Politics
Next Article Infosys Infosys Joins Forces with Spark New Zealand to Revolutionize Digital Transformation with AI
Leave a Comment

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

You Might Also Like

Mahira Khan
People

Mahira Khan Condemns India, Is She Admitting To Support Terrorism?

By Dolon Mondal
PeopleSports

Liverpool Star Diogo Jota Dies at 28 in Car Crash- Just Days After His Wedding

By Dolon Mondal
PeopleSociety

Rath Yatra 2025: 3 Dead, Many Injured in Stampede Near Puri’s Gundicha Temple

By Ankita Das
Temple Stampede
People

Goa CM Promises Help, But Can It Heal the Wounds of the Temple Stampede?

By Dolon Mondal
[Ruby_E_Template slug="buzzstream-footer"]